Analysis of love is not all sonnet
Sonnet 43 and love is not all
She would become one of the most respected poets in America and would win the Pulitzer Prize in for her collection of poems, The Ballad of the Harp-Weaver. Yet one day with no song from dawn till night Wondering, I sat, and watched them out of sight. Heavy it was, and low And dark,—a way by which none e'er would go That other exit had, and never knock Was heard thereat,—bearing a curious lock Some chance had shown me fashioned faultily, Whereof Life held content the useless key, And great coarse hinges, thick and rough with rust, Whose sudden voice across a silence must, I knew, be harsh and horrible to hear,— A strange door, ugly like a dwarf. A splendour hung Upon the walls, and such sweet songs were sung As, echoing out of very long ago, Had called me from the house of Life, I know. Warm lights in many a secret chamber shine Of thy gaunt house, and gusts of song have blown Like blossoms out to me that sat alone! I asked of thee no favor save this one: That thou wouldst leave me playing in the sun! Father, I beg of thee a little task To dignify my days,—'tis all I ask Forever, but forever, this denied, I perish. I saw the sun no more. In the first two lines, the author references meat, drink, and the rain on the roof as not being held at the same worth as love.
While the speaker initially provides a general definition of love that objectively defines it as not being as important as the necessities of life, or of life itself, she does, by the end of the poem, reveal that love has some value. Again, the author is implying that love is not necessary to sustain life like health is.
Love is not all questions and answers
Towards the end, a new feeling of doubt and contemplation emerged, contrasting the original confidence of the speaker. The transition from one speaker to another, a change in opinion, or in this case, a change in perspective. And this thou didst deny, calling my name Insistently, until I rose and came. In the first two lines, the author references meat, drink, and the rain on the roof as not being held at the same worth as love. They plainly contrast with the emotion of love, something that Millay is hoping to call attention to. These two scenarios mirror the ones the speaker has described in the first half of the poem, a difficult hour without food, water, or shelter, and pinned down by pain as if afflicted with a deadly disease such as tuberculosis was then. Vincent Millay was born in Rockland, Maine in This is the turning point of the sonnet, or volta. She would become one of the most respected poets in America and would win the Pulitzer Prize in for her collection of poems, The Ballad of the Harp-Weaver. In the last line the speaker comes to the conclusion that she may trade her love away, but more than likely she, as all those stated above, would not. Her popularity stemmed from both her remarkably crafted sonnets and her bohemian lifestyle, including her political stances, and open relationships.
I asked of thee no favor save this one: That thou wouldst leave me playing in the sun! My minstrels shall attend thee all day long. She became involved in writing poetry at a young age and gained a scholarship to Vassar College where she became involved in theatre.
Nor threat, nor easy vow Of tardy kindness can avail thee now With me, whence fear and faith alike are flown; Lonely I came, and I depart alone, And know not where nor unto whom I go; But that thou canst not follow me I know. The largest shift is seen between what would traditionally be the gap between the octave stanza and the sestet stanza linewhere the poem shifts from bold to reflective.
None shook me out of sleep, nor hushed my song, Nor called me in from the sunlight all day long. In these lines Millay references all the comparisons above, and her speaker is saying, basically, that even with all the truths that have thus far been stated, men still kill themselves because they do not have love.
Better a perilous journey overseas Away from thee, than this, the life I lead, To sit all day in the sunshine like a weed That grows to naught,—I love thee more than they Who serve thee most; yet serve thee in no way. Continuing on to the second half of the first quatrain, Millay creates another metaphor, or a comparison between two unlikely elements.
A volta is a vital point in almost all sonnets in which many things can happen.
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